Michael Kors Returns to Studio 54 for Fall 2019


Sonny Vandevelde

Michael Kors skipped his senior promenade for a way more urgent engagement: an evening out on the legendary Studio 54. The membership’s stylish denizens “had no idea we were high school students from Long Island,” the designer remembers. “The minute I walked in, I knew it was the place to be—that the combo of fashion, power, and horny glamour was actually particular. It felt just like the scene in The Wizard of Oz once they lastly attain Oz.”

This season, Kors took us all to his personal private Ozwhen he channeled late-’70s glam for his fall present. He had slightly assist from two of the period’s largest icons: Patti Hansen, who made a heralded return to the runway, and Barry Manilow, who carried out “Copacabana” (with Bella Hadid grooving alongside him). Although the designer confesses to lacking the times when individuals obtained decked out and partied sans cell telephones and social media, the gathering was much less a nostalgia journey and extra a panacea for what ails us. “I think when times are tough—and let’s be honest, the world is a little crazy right now—romance and fashion are the ultimate tonic,” he says. Kors’s recipe? A moodboard that includes revelers like Diana Ross and John Travolta, and a collaboration with Studio 54. He splashed the membership’s iconic emblem on all the things from floor-sweeping puffers and leather-based weekenders to scarf-neck blouses and sequined minidresses. “They were so excited when we reached out,” says Kors of the MGM Grand Lodge, LLC, which presently owns the rights to the identify. However the ’70s inspiration prolonged past the logos: “I wanted to re-create the vibe of Studio 54,” he says. “It had a really late-night/early-morning temper, and all of us used to depart with slightly glitter in our hair.”

Kors wasn’t the one designer to look again to disco’s glory days this season, and the revival couldn’t be extra well timed. Practically 50 years in the past, the wrestle for equal rights, the power disaster, and the Watergate scandal dominated the information cycle. (Sound acquainted?) The disco craze, and the louche vogue related to it, was a method of letting unfastened from social constraints and escaping political and environmental doom and gloom. It’s exhausting to imagine that, a long time later, we’re nonetheless combating lots of the identical battles. However given the state of issues, it ought to come as much less of a shock that designers are resorting to a time-tested antidote. “Glamour is all about including that further one thing that makes you’re feeling particular, assured, and able to tackle any scenario,” Kors says. Slightly lamé might be simply what the designer ordered.

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Tommy Hilfiger

Disco icon Grace Jones shone at Tommy Hilfiger in a gold bodysuit and striped lamé blazer, a part of the designer’s ’70s-inflected collaboration with vintage-loving Zendaya.



At Staud, fashions in slinky jersey clothes and rib-knits discoed their method down the runway.


Paco Rabanne

Paco Rabanne designer Julien Dossena referenced the model’s iconic chain mail to create liquid-silver night clothes destined for the dance flooring.


Saint Laurent

Anthony Vaccarello’s model of rose-tinted lenses at Saint Laurent? A black mild that kicked oversize furs and the teeniest of minidresses up a neon notch.

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Natalia Camp


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